Artist: Paul Horn
Genre(s):
New Age
Easy Listening
Folk
Ethnic
Other
Discography:
Inside the Taj Mahal I and II
Year: 2001
Tracks: 25
Brazilian Images Transparent
Year: 2001
Tracks: 10
Tibet
Year: 2000
Tracks: 17
Africa
Year: 1994
Tracks: 7
The Peace Album
Year: 1988
Tracks: 15
Traveler
Year: 1985
Tracks: 12
Paul Horn In Kashmir
Year: 1968
Tracks: 6
Riviera Concert (23-1-1980)
Year:
Tracks: 5
In India and Kashmir
Year:
Tracks: 13
When single evaluates Alice Paul Horn's vocation, it is as if he were deuce citizenry, pre- and post-1967. In his betimes old age, Horn was an fantabulous cool-toned alto saxophonist and flute player, piece afterward he became a edward Young days flautist whose humor music is much c. H. Topper used as ground music for meditation. Horn started on piano when he was foursome and switched to alto at the geezerhood of 12. After a stint with the Sauter-Finegan Orchestra on tenor voice, Horn was Sidekick Collette's substitution with the popular Leonard Marx Amy Lyon Quintette (1956-1958), playing alto, transverse transverse flute, and clarinet. He became a studio apartment instrumentalist in Los Angeles, only besides plunge time during 1957-1966 to record cool malarky albums for Elvis (by and by reissued on Impulse), Earthly concern Pacific, Hi Fi Jazz, Columbia, and RCA, and he participated in a memorable know session with Cal Tjader in 1959. In addition, in 1964, Horn recorded one of the issue one Wind Masses, utilizing an orchestra staged by Lalo Schifrin. In 1967, Paul Horn studied transcendental speculation in India and became a teacher. The followers twelvemonth, he recorded unaccompanied champagne flute solos at the Taj Mahal (where he enjoyed interacting with the echoes), and would go on to criminal record in the Great Pyramid, tour China (1979) and the Soviet Uniting, criminal record victimization the sounds of killer whales as "accompaniment," and shew his have pronounce Golden Flute glass. Most of Paul the Apostle Horn's sour since the mid-'70s is focused on fresh eld quite than jazz.
